The first webcomic I ever read was a slightly messy, totally lovable black and white affair, painstakingly drawn every week by a college student with a chronic case of carpal tunnel. It was about vampires in the French Revolution.
Don’t laugh! Or do, as it was utterly hilarious. That was back in 2000, and while Bite Me! has lain completed since 2004, Dylan Meconis’ poor wrist is still taking a beating.
Ten years later and she’s still at it—this time sans vampires, and hopefully sans carpal tunnel. Her current opus-in-progress is Family Man, which concerns the life of a fictitious German theologian as he travels Europe in 1768. When Luther Levy finds employment in a university filled with eccentric professors and a mysterious librarian, he begins to wonder where Reason will lead him after all.
What, that doesn’t sound funny? It’s not meant to be. No daily punchlines, no anachronistic references, and the only puns are those on Christian theology. In German. Nevertheless, it is one of the most audacious, illuminating and entertaining pieces I have ever had the pleasure of reading (online and otherwise). Granted, that’s coming from a history geek, but the sumptuous art and underlying mysteries should be tempting enough for any reader to jump on board. Wagon. Carriage. Whatever.
Exhaustively researched, skillfully drawn and intelligently written, Meconis is slowly unveiling her vision of the Age of Enlightenment through her rain-washed art and crackling scholastic debate. Even her research notes sparkle with wit and energy; whether she’s lamenting a dearth of accurate carriage designs on the web or apologizing for depicting a prop that wasn’t invented til a decade later.
Updating only once a week, Family Man isn’t a marathon comic: there are a grand total of two full chapters thus far, and once you’ve read them the wait seems interminable for the next page. However, when you recognize the detail she puts into her work (one notable example above) you can appreciate why each page takes a full week to come to completion.
But, if Bite Me! was any indication, this artist has the tenacity and vision to take us along on the journey all the way to the end of her epic. Read up on Spinoza and Voltaire, savor the artwork, and join a loyal readership as they follow the stately progression that is Family Man.